KINETA PROJECT FILE
Crimson Hour
Slow images of fast machines
Project
Crimson Hour
Category
Campaign
Year
2024
Client
Petrolicious
FIELD NOTES
A late-summer feature shot in Malibu canyons over two evenings. No crew, no chase car, no schedule beyond the sun.
The brief was simple — wait for the light, drive into it, let the heat haze do the rest. The car was almost incidental. What I was really chasing was the moment when the asphalt and the sky start to share the same colour, and the ridges begin to dissolve into each other.
A late-summer feature shot in Malibu canyons over two evenings. No crew, no chase car, no schedule beyond the sun.
The brief was simple — wait for the light, drive into it, let the heat haze do the rest. The car was almost incidental. What I was really chasing was the moment when the asphalt and the sky start to share the same colour, and the ridges begin to dissolve into each other.
PAUSE / 35MM
PAUSE / 35MM
Slow images of fast machines
Slow images of fast machines
NEXT FRAME
Redwood Run
Two days on a closed forest road north of Eureka, deep among the redwoods. Vertical shafts of light, fog at dawn, and long silences between takes — the trees were taller than the schedule.
NEXT FRAME
Redwood Run
Two days on a closed forest road north of Eureka, deep among the redwoods. Vertical shafts of light, fog at dawn, and long silences between takes — the trees were taller than the schedule.
NEXT FRAME
Redwood Run
Two days on a closed forest road north of Eureka, deep among the redwoods. Vertical shafts of light, fog at dawn, and long silences between takes — the trees were taller than the schedule.